#19. Can you think of anything that:
1) should not be photographed? Why?
2) cannot be photographed? Why?
3) you do not want to photograph? Why?
1. I think it's important to be conscious of the feelings of the people being photographed and those viewing the images. For example Felice Beato photographed many dead Chinese people during the Opium war. Those photos were well received by the British however were insensitive to those effected by those deaths. In these types of circumstances I think photography is an unnecessary truth.
2. Though some ideals and spiritual ideologies cannot physically be photographed many photographers have found ways to represent the unseen. For example it is impossible to photograph thoughts however by staging facial expressions and different scenes many can interpret the thoughts of those being photographed. Photography has advanced to the point that almost anything can be photographed or represented.
3. Again, I would not want to photograph anything that would hurt someone emotionally. Many photographers have gone above and beyond to demonstrate ideals or photograph truthful images. However, I would not want to upset someone by the images I take.
#20 Describe at least one photograph that you could take for each of the following “place” prompts.
1) should not be photographed? Why?
2) cannot be photographed? Why?
3) you do not want to photograph? Why?
1. I think it's important to be conscious of the feelings of the people being photographed and those viewing the images. For example Felice Beato photographed many dead Chinese people during the Opium war. Those photos were well received by the British however were insensitive to those effected by those deaths. In these types of circumstances I think photography is an unnecessary truth.
2. Though some ideals and spiritual ideologies cannot physically be photographed many photographers have found ways to represent the unseen. For example it is impossible to photograph thoughts however by staging facial expressions and different scenes many can interpret the thoughts of those being photographed. Photography has advanced to the point that almost anything can be photographed or represented.
3. Again, I would not want to photograph anything that would hurt someone emotionally. Many photographers have gone above and beyond to demonstrate ideals or photograph truthful images. However, I would not want to upset someone by the images I take.
#20 Describe at least one photograph that you could take for each of the following “place” prompts.
- An image of a synthetic “place” such as Disney World, Las Vegas, a Hollywood set, a diorama, etc.
- I plan to take photos of my Uncles theater. It's a very recognizable place with the big screen and the staggered seating. Though I'm excited about the kind of angles I can create with this typical place.
- An image of a fantasy/fictitious environment concocted from your imagination.
- It would be fun to create an image with a cookie house. I know there are boxed kits that allow you to create houses out of candy and cookies. It would be interesting to photograph the image as a real house. It would play with the imagination and make one think about if houses were made of candy.
- An image of a placeless space such as the Internet, cell phones, e-mail, e-bank, surveillance, etc.
- the simple way to create this image would be to take a photo of a cell phone an image of an email or the physical computer. It would be interesting to edit the photo in such a way to create the idea of motion in that object. This motion could indicate the power and principle each of these objects have
- An image of a public space.
- The public space I would like to take a photo of is a coffee shop. The lighting is always somewhat diffused and its usually a calming space.
- An image of a private space.
- A private space to photograph could be my shower. After seeing many of the images of faucets displayed in this class it could be interesting to see the type of photos I could take of a shower head faucet. The fall of the water and the spacial differences could create unique photos
- An in-between space that brings to mind one of the following ideas: nomadic lifestyles, displacement, rootlessness, out-of-placeness, boundaries, movement, expansion, etc.
- I may photograph a man alone on a bench. This gives the impression of out of placeness or that he is lost. I think his expression would have to be one of looking out and he may be facing the opposite direction of the camera. This may even give an impression of movement, like he is looking for somewhere to go.